The twittersphere is fired up over Estelle's new video for her single "Freak" in which she dons blackface makeup. Parlour Magazine's Hillary Crosley says the tweeters are being "hyper-sensitive." Estelle adds, "I'm Black, so how do I do blackface?"
Check out the video and decide for yourself. Here's what you had to say: Misha said:"Estelle doesn't get the love that she deserves and quite frankly I like her music."Monnie said:"A tactic used to get folks talking about her and the video, otherwise ain't nobody checking for her. Everybody fawning over Bey, Alicia and Rhianna."Read More:Estelle's Style FileEstelle's NY Fashion Week Diary
After her breakthrough album “Shine,” U.K. songstress-rapper Estelle has returned with her new single “Freak” from her forthcoming album, “All of Me.” Unfortunately, the release of her single’s video did not impress some of her online fans. The singer adapted numerous funky, fashion-forward looks in the clip, including one where she’s covered in black paint. To many online viewers, this depiction leaned more toward questionable and possibly offensive rather than creative, and the blowback got me thinking–are Americans too sensitive about blackface? “Those comments were the first thing I saw after we released the video trailer,” Estelle told Parlour earlier this week. “It’s like ‘are you joking?'” The “Freak” clip was directed by Kanye West-collaborator Nabil Elderkin and the song itself is a bouncy dance-track produced by David Guetta, featuring Canadian MC, Kardinal Offishall. The lyrics encourage listeners to release their individuality and the clip features Estelle in a multitude of looks including a shot with the controversial black paint. However, the director says it’s meant to be fun. “We are making a video about Estelle acting freaky and we’re gonna do lots of things, turns, fingers, beauty looks, freaky looks, speedy fast dancers, it’s gonna be hot,” said Elderkin, during the clip’s promotional trailer. The director was unavailable for comment at press time. Estelle says she and the director are longtime friends and he understands that her creative vision is “coming from a place of art versus just trying to be different.” Not to mention, she refuses to justify the online chatter by defending herself. “I think they need to wait to see the clip, I could defend myself, but it’s just silly,” says Estelle of the claims. “I’m Black so how do I do blackface? Missy did the same thing [with her video] “She’s a Bitch.” I refuse to defend it, I didn’t put any white ring around my mouth, never that.” Estelle was very clear that her appearance in “Freak” was about creativity, akin to Grace Jones’ famous pose which Amber Rose recently duplicated on KanyeWest.com. So why are people upset? Going back through Twitter’s reaction to the clip, Little Brother MC Phonte seems to have ignited the blowback flame. “Damn Estelle. Blackface? In 2010? Really tho?” he asked on February 26 via Twitter. Not to say that Phonte started the rumblings, but his comment definitely sparked retweets and debate by people who agreed, disagreed and were plain confused. Check out some more of the comments below: “HowTF is black face freaky?” @King_AzureNoir “Drew notices that in Estelle’s new video, her makeup appears to be in a blackface.” @AMPlified89 “It’s not the typical blackface, where someone is perpetrating a Black person. But I’m sure you already knew that.” @Madame_Vain Then Postracialist [@postracialist], a blog for young brown urbanites, said, “Countdown to a busted ass ‘I’m British. It doesn’t mean the same thing there’ excuse…” Hmmm…When I spoke to Estelle, she was very clear that Americans and Brits share a similar history regarding race and stereotypical images. “In London, we have the same issues with racism, so I would never…” Estelle said. “I just watched the final video and it’s like ‘wow, this is like the craziest thing in your head.’ [The clip is] paying homage to Jean Paul Goude and Grace Jones. It’s not all crazy, it’s beautiful sexy crazy. I just wanted to do something different and fresh that matched the intensity of the song.” Hillary Crosley is the publisher of Parlour Magazine.Read More: